House of the Dead 2: Dead Aim
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Who's Here? None in this thread. 57 users total online. Moderators: Nobody yet!.
Cool script here
Neo vs. The Matrix
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Providence,UT
POSTS: 157
MEMBER SINCE: 2003-06-08
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POSTED Saturday, January 07, 2006 01:10:05 AM Delete post? (Moderator ONLY)
This is jsut a script ive been working on in my free time and i was just hoping to get a little feed back, it got a little messed up so its hard to read when i transferred it to here. (i know it doesn't have much to do with house of the dead 2)

WORLD'S ENDING
PART I
THE GATHERING
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Cut to: (Bird's eye view) The hot and desolate desert (Daytime)

A van covered in metal runs its course on a highway through the desert.

The picture zooms in through one of the barred windows to show a man in his early thirties wearing a black leather jacket, a black T-shirt underneath and blue jean pants with two gun holsters surrounding them. The gun holsters both bare Colt .45 s. The man's name is Parker.

Parker (In head)
It's been four months to the day since they emerged, Four months since they took over.
The picture fades out.
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Cut to: New York City (Nighttime)
Many buildings are burning as winged creatures fly all over the place.
Parker (Voiceover)
They got tired of hiding in the shadows, Tired of waiting days to get food without being seen. New York City was the first place they took under siege.
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Cut to: New York Streets (Nighttime)

Many people are running for their lives through the burning streets of
New York. The winged creatures pick them up one by one and take them into flight.
Parker (Voiceover)
They tore the city to rubble and killed every last human that they could find.
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Cut to: Farm out in the country (Daytime)

A large man in his forties is quickly trying to get his family into an underground shelter as shadows of the creatures creep over the ground. The man looks up in fright. Afterwards he quickly runs into the Them, Vampires. Our sworn enemy.
There's a quick flash.
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Cut to: Main titles
(Song: Down with the sickness)
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Cut back to: The inside of the van.
The picture zooms out of Parkers face.
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Cut to: Road sign
The van passes by a very dusty and green road sign reading.
MOOLAVI, TEXAS 8 MILES AHEAD
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Cut Back to: Inside of van
Four more people can now be seen riding in the van.
One is a man sitting next to Parker in the back. He is wearing blue jeans and a tattered gray T-shirt. He has a shotgun sitting next to him and is carrying a glock in his side holster and appears to be in his twenties. His name is Austin.
Another is a man named Ben. He is sitting in the passenger side in the front of the van. He appears to be in his late thirties. He s wearing a black vest over a rolled up long sleeved blue shirt. He is wearing black pants. He has a shotgun sitting over his lap.
The other is the man driving the van. His name is Jack. He appears to be in his early thirties also. He s wearing a black T-shirt with very dusty and torn jeans. He has four glok pistols, two in holsters connecting to his sides, The other two in holsters connecting to his shoulders.
And the last is a woman named Gracie. She's sitting in the middle of Parker and Austin. She has a pretty, yet tough face. She's wearing a black T-shirt with black jeans. She has a fairly small machine gun in her hands.
The words
JULY 6th
Come across the bottom of the screen.
Gracie
Alright, Boys load up and prepare to make the next food stop.

Everyone except for the driver, Jack starts loading their guns up.
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Cut to: Outside of van

The picture circles around a very dusty house with white siding and blue shutters on it.

The picture goes to the front of the house as the van stops and every body gets out.

(Front view)

They all form a line as they start walking towards the house.

Parker
Alright, Be on your guard.


Close-up on Austin

Austin
Why, I thought they only came out during the day?
Close-up on Parker as he looks at him funny.
Parker
You still have a lot to learn.
They all step up onto the creaky porch. Gracie opens the door up with her shotgun pointed ahead.
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Cut to: Inside of house.

Blood is on a couple of the dusty, and dirty walls. A table sits in the middle of the room with a broken chandelier hanging over head.
Ben and Austin walk into the room.
Austin quickly puts his hand over his nose.
Austin
Man, What is that smell!?!

Close-up on Ben as he s walking through what appears to be the dining room.
The picture turns around to show a dead woman with blood all over her neck and ripped up shirt. She has a small bit of guts hanging out of her stomach.
Ben pokes at the man with his shotgun.
Ben (Sarcastically)
I think I found the smell.
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Cut to: Family room
A wooden entertainment center lies shattered all over the floor.
Parker slowly walks into the room. He crouches down and removes the broken glass from the top of a picture. He picks the picture up and gazes at it for a bit.
Close-up on the picture.
It shows a little girl going down a slide with her dad.
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Cut to: Kitchen
The refrigerator door is hanging open as flies buzz all around it and the room.
Jack and Gracie walk into the room.
Gracie looks into the refrigerator with disgust.

Close-up on the refrigerator.

A carton of rotten milk is tipped sideways as the chunky milk runs down the side of the refrigerator. There are also a couple of rotten tomatoes.

Close-up on Jack.

Jack puts down the two pistols he had in his hands in their holsters and opens up the dusty wooden cabinet doors.

Close-up on food.

There's a couple boxes of rice-a-roni and macaroni and cheese. There s also some vinegar in a bottle. Jack takes the rice boxes.

Jack
Not much here.
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Cut back to: Family room
Parker is still looking at the picture.
Gracie's voice calls from down the hall.
Gracie
There's nothing here let s go.

Parker drops the picture and walks out of the room.
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Cut back to: Front yard
They all walk out of the house as dust flies everywhere. Afterwards the continue to walk towards the camera.
Ben
I saw a shelter door leading into the ground maybe there's some canned food down there.
They all walk to the shelter door.

Close-up on the door.

Parker puts his hand on the door handle.
Parker
Ready?
They all shake their heads and point their guns towards the door.

Parker swings the door open. There's nothing there but a staircase leading down to the dark shelter.

Close-up on Austin turning the flashlight taped to the bottom of his shotgun on.

The group continues to walk down into the shelter... A dim light can be seen at the bottom of the staircase. Once they re at the bottom a man quickly pops out, pointing his rifle towards the group.
Man
Drop the guns!

Close-up on Austin

Austin
You first!

Close-up on Parker

Parker
Be quiet, Both of you. We can all die here now or put down our weapons. What's it gonna be?
The group and man lower their weapons.

Close-up on Man
Man
Now, What do you want?

Close-up on Ben
Ben
We were just looking for food.

Close-up on Man

Man
Well, you'll have to look somewhere else what little we have left here is for me and my daughter.
A little girl wearing a pink dress walks to her dad's side.
Girl
Who is it, Daddy?

Close-up on Parker

He notices her as the girl from the picture.

Close-up on Man
Man
No body honey.

Close-up on Parker

Parker
T hen all we ask is for a place to stay for the night.

Close-up on man
Man
Fine. Just for tonight.
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Cut to: Candle lit room
The group is sitting down on the cement floor of a candle lit room with two mats with gray blankets and a pillow covering them.
Parker is sitting next to the dad eating a small can of pork and beans. On the dad s left is Ben. Across the room is Austin, Jack, and Gracie. The little girl is sitting on her bed/Mat.

Close-up on Man and Parker

Man
Sorry about earlier, I m just a little jumpy after all that has happened.

Parker
It's alright.
Man
So I guess we weren't properly introduced earlier. I'm Charlie.

Charlie extends his hand out to Parker. Parker does the same and they both shake hands.
Parker
Parker.

Charlie
And that s my daughter over there, Janey.
Charlie points.

Charlie
I m sorry we can t afford to give you any food, but we have to hold out as long as possible.

Close-up on Austin
Austin
Hold out for what?

Close-up on Charlie.
Charlie
Help.

Close-up on Parker
Parker
I'm sorry to break it to you, but we're the closest thing to help your gonna get.

Close-up on Charlie

Charlie
How can you be so sure?

Close-up on Austin

Austin
Have you taken a look around lately?

Close-up on Charlie

Charlie
I'm a religious man and through the years I've come to believe that there is always hope.

Close-up on Austin

Austin
If there s always hope and there s a god, Then how in the hell did the world get this way?

Close-up on Parker

Parker
Enough, Besides, Austin you must realize that our entire mission is based on hope.

Picture goes to Austin as he just looks the other way.

Charlie
Mission, What mission?

Close-up on Parker

Parker
If we re going to tell you then I suppose we should start from the beginning.

Close-up on Charlie.

Charlie
Fine, So where are you all from and what brings you out here to Texas?

The camera goes around in a circle showing everybody.

Gracie
I m from Pheonix.

Jack
I m also from Pheonix, Gracie and I are brother and sister.

Austin
I m from San Francisco.

Ben
I m from Carson City.

Parker
And I m from Boulder.

Close-up on Charlie

Charlie
What brought you all together?

Quick Flash
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Cut to: The picture fades into A dimly lighted room full of guns and ammunition.
Gracie and Jack walk into the picture and start loading up with ammunition and guns.

Jack(Voiceover)
We had heard that one of the Mormon temples in Utah had been sealed off and was safe.

Jack and Gracie walk out of the room. The camera follows them into their living room and outside into their Black Jeep.
Jack(Voiceover)
We drove there as fast as we could.
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Cut to: Mormon temple.
The jeep skids into the parking lot of the church. Gracie and Jack get out.
They look up, scared.
Close-up on the temple.
Three or four of the vampires are flying around the half taken off roof. The roof as well as the entire building is on fire. There is also fire all over the ground.

Jack
By the time we got there the temple was already destroyed.

Close-up on ground.
Some people are running for their lives towards the jeep.

Close-up on Gracie and Jack.
Gracie and Jack quickly load up their guns and start shooting in the air at some of the vampires.

Close-up on Vampire flying in air
The vampire gets shot once in the shoulder, then twice in the heart. It falls out of the air.

Close-up on Gracie and Jack again
A vampire lands by Jack.

Gracie
Watch out!

Jack quickly looks over. Right after he looks the vampire punches him in the stomach. Jack flies over the jeep and behind Gracie. Afterwards the vampire picks up the jeep and throws it over the side. The jeep explodes.
Gracie quickly reloads her gun. The vampire flies at her but, she shoots him in the head.
Close-up on Jack lying on the ground.
A hand comes into the picture as Jack looks up and helps him up. The man is Parker. Behind him you can see Austin and Ben.

Jack(Voiceover)
That s when these guys showed up.
Close-up on Ben

Ben
Come on! We ve got to go now!
Gracie looks back and then begins to run away with Jack and the rest of the group.
There's a loud thud.

Quick flash
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Cut back to: Cellar room.
The entire group including Charlie and the little girl quickly look up.

Charlie
What was that?
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Cut to: Front room of house (Nighttime)
The door to the outside slowly opens as Parker and the group walk in, there guns pointed forward.

Close-up on Charlie and Janey.

Janey is walking by Charlie. Charlie pulls her in close to him.

Charlie
Stay close, Honey.

They begin to go around the house.
Close-up on Austin as he lowers his gun.

Austin
There's nothin' here.

The window behind Austin blasts open as a vampire comes out and tackles Austin. It s claws at Austin s chest.
Gracie tries to shoot it with her shotgun, but misses.
Close-up on the Vampire as it looks up at Gracie.
The Vampire flies at her, knocks the shotgun out of her hand, and then tackles her.
The entire group begins shooting at it as it s black blood begins to gush out everywhere. It screeches as it tries to get up and then falls to the floor.
Close-up on Gracie lying shocked on the floor, Covered in the slimy black blood. She gets up.
Close-up on Janey as she steps back.

Janey
Daddy, I wanna go, I wanna go!

Janey tugs at her Charlie's leg.

Close-up on Austin as he gets up.

Austin
Still want to stay?

Close-up on Charlie

Charlie
I, ... I ll still need time to think
Austin shakes his head.

Austin
Your crazy.

Ben helps Gracie up.

Ben
You alright?

Close-up on Gracie

Gracie
Fine.

Parker pulls out a cigarette, lights it and sticks it in his mouth.

Parker
Well, You have until morning to think about it.

Charlie nods his head.
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Fade into: Desert Horizon
Over the Desert horizon you can see the sun slowly rising.
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Cut to: Front yard of house (Morning)
The entire group is walking toward the van carrying one or two bags.
Jack unlatches the bolts to the sliding back door of the metal covered van and slides it open. They all just throw their bags in.
They all get into the van.

Close-up on Jack as he looks towards the house (From drivers seat).

He shakes his head.

Close-up on key ignition.
Jack puts the key into the ignition and turns it as the vans loud motor starts up.
The picture goes to the front yard.
Charlie and Janey come out from the shelter. Charlie is carrying two bags.
Close-up on Austin. Austin smiles as he looks through the window at them.

Close-up on Charlie and Janey once again as they start to walk toward the van.
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Cut to: (Birds eye view) New York City
The picture zooms around the burning and decayed New York City. Many Vampires can still be seen flying through the air. Three buildings stand in the middle of the picture, untouched.
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Cut to: Inside of one of the untouched skyscrapers. (Nighttime)
A man wearing a black-trench coat has his back facing the camera as he looks out the window. The room is completely silver. A desk lies in the middle of the room with a couple of pencils on it. A black Leather chair sits behind it.
Close-up on The mans face as he continues to look out the window.
He has very pale skin with bags under his bright green eyes. He also has black slicked back hair with a pony tail in the back.
A creaking sound is heard from the back of the room as the door opens and a man walks in. This man is wearing a dark brown suit. A red tie hangs in the middle.

Man (By door)
Adriano, Sir.

Close-up on Man/Adriano.

Adriano
Look at all that we have accomplished... It's absolutely beautiful.

Close-up on Man. He walks to the glass and stands by Adriano, gazing out the window.

Man
Yes, You have led us to a great victory that none of our minds could have ever possibly imagined.

Close-up on Adriano.

Adriano
They never even saw it coming.

Man
Your people trust you.

Adriano
Thank you, But I know you haven t just come here to babble with me.

Close-up on Man

Man
Yes, I just came to tell you a couple of things. We ve taken Australia and Germany.

Adriano smiles.

Adriano
That's half already.

Close-up on Man

Man
At this rate we ll have it all taken over within a month

Close-up on Adriano.

Adriano
What of the rest of America?

Close-up on Man.

Man
There are still some army bases that we haven t taken yet, but in time.

Close-up on Adriano.

Adriano
What of our New Breeds?

Close-up on Man

Man
And that was the other thing that I have come to tell you. The Formula is ready.

Close-up on Adriano.

Adriano
Good.
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Cut to: Inside of the van (Daytime)
The words
JULY 10th
appear across the bottom of the screen
Charlie and the little girl sit in the back of the van with all of the supplies.
The rest of the seating arrangements are still the same.
Charlie turns around.

Charlie
So you never finished telling me your story.

Close-up on Parker

Parker
There s not really much else to tell. All that happened after that was we decided to stick together.

Charlie
And why is that?

Parker
Well, We found a way to where it might be possible to stop them... Possibly the only way.

Charlie
And what way is that?

Close-up on Parker as he looks back towards Gracie and Austin.

Close-up on Gracie as she looks back at Parker. She looks down afterwards.

Parker
We heard of a couple of army bases that were still functional before all the T.V stations went of the air.

Close-up on Charlie as he looks at Parker confused.

Close-up on Parker.

Parker
We re going to try and get whoever is alive there to join us and fight them.
Close-up on Charlie as he frowns.

Charlie
Stop the damned car!
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Cut to: A highway stretch of nothing but desert
(Side-view) The van stops right in front of the camera, kicking up tons of dust.
The picture cuts back to show a wider view of the van from it s right side.
The back kicks open and Charlie jumps out. Janey climbs out after him.
The picture goes to show Charlie grabbing his bags. After he has them he closes the back of the van up. Janey and Charlie begin to walk down the road. Charlie grabs his daughters hand.
The picture goes back to the side-view of the van as Parker gets out and runs down the road after them.

Parker(Shouting)
What are you doing?!?

Parker catches up to them.

Parker
What?

Close-up on Charlie.

Charlie
We re not going with you on your suicide mission!

Picture goes out so you can see both of them.

Parker
It s better than you staying in that house waiting to die!

Charlie
Either way leads to death, so why does it matter?!?

Parker
Because with ours you might have a chance!

The picture goes to show everybody standing outside of the van watching.
There s a brief silence as the picture goes back to Parker and Charlie.
Janey looks up.

Janey
I want to stay dad.

Close-up on Parker

Parker(Calmer)
What happened to hope?

Close-up on Charlie

Charlie
As soon as we get to the first base, we re staying there.
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Cut to: Old gas station (Daytime)
Close-up on a dusty green sign saying

SELSCO GAS STATION
The picture zooms out to show the entire place. The front is nothing but glass, A cash register can be seen through the window. There s also four gas pumps lying outside.

The van comes into view and stops beside a gas pump.
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Cut to: Inside of gas station
There are many aisles with racks of candy.
Gracie grabs a Snickers bar, opens it and eats it. Afterwards she grabs a couple more candy bars and shoves them into her pocket.

The camera goes to the left to show Janey and Charlie in another aisle.
Charlie is loading chips and candy bars into a black hiking backpack.
The picture goes to Ben(Still holding shotgun), and Austin by many rows of pop enclosed in a glass case. Ben grabs a bottle of Pepsi out and takes a drink.

Close-up on Ben

Ben
It s still cold.
The picture goes back out to show Austin looking at Ben.

Austin begins to load a lot of the pop and bottled water into another backpack.
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Cut back to: Outside of gas station
Jack is leaning against the van as it fills with gas.

Close-up on Jack

Jack brings his watch up and looks at it.
Close-up on watch.
The watch has become very rusty, and dirty. The arms on it aren t moving and its not ticking.
Jack hits it a couple of time with his index finger.

Jack
Piece of crap.

Jack takes the watch off and throws it off the screen.
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Cut back to: Inside of gas station

Ben is by the cash register now. A can of beef jerky stands on it. Ben shoves it into his backpack.
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Cut to: Inside of gas station bathroom
Parker is looking into a mirror while hes shaving. He finishes, wipes his face off with a red towel and then puts water on his face with his hands. He stares into the mirror for a moment.
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Cut to: Hallway
Parker comes out from the bathroom and closes the door. He begins to walk forward into the screen but, stops for a moment. He looks to the left at a blue door. There s a sign on it saying

EMPLOYEES ONLY
Close-up on doorknob.
The doorknob keeps moving.
The picture goes back to Parker.
Parker pulls out a pistol from his gun holster and points it at the door.

Parker
Hey, Guys!

The picture goes to the main room of the gas station. Everybody walks forward a bit and looks at Parker. They take their guns out of the holsters their guns.

(Except for Ben)

Close-up on the door.
The door quickly opens. A man stumbles out and looks surprised. He has long hair and appears to be Arabic.

Man
Oh! Thank god!

A vampire quickly jumps out from the back of the man and bites a large chunk of skin from his neck. The vampire spits it out. Parker shoots it twice in the shoulder. It lets out a loud screeching scream. The Vampire kicks Parker in the chest. Parker flies back and hit s the wall, dropping his gun.
The vampire flies at Gracie next. She shoots it right in the stomach causing it to miss her. A splash of blood goes into the air. The vampire crashes into a rack of candy bars. They go flying everywhere. Ben, Charlie, Austin and Gracie begin shooting at him again.
The vampire quickly get s up and flies into Janey. She lets out a loud scream.

Close-up on Charlie

Charlie
Nooooo!

Charlie jumps on him, pulls a pocket knife out and starts stabbing him in the back. The vampire flips over, grabs Charlie and then throws him out the window.
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Cut back to: Outside of the gas station
The picture goes to the windows. Charlie flies out of the one to the far left, shattering it.

Close-up on Jack

Jack
Holy ****!

Jack begins to run to Charlie.
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Cut back to: Inside of gas station.

Close-up on Vampire

The vampire looks up and lets out another screeching scream. Afterwards he quickly flies out of the room.
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Cut back to: Outside of gas station
The vampire flies out of the already shattered window.

Close-up on Jack

Jack looks up into the air. He takes out his two pistols and begins shooting.

Close-up on vampire

The vampire s blood gushes out everywhere. He falls to the ground.
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Cut back to: Inside of gas station
Gracie runs to Janey.

Gracie
Are you okay?!?

Janey puts her arm up to show three deep gashes that are bleeding. A tear goes down her cheek.

Gracie
We have some bandages in the van.

Parker comes out from the hallway.

Close-up on Austin

Austin(Sarcastically)
I think its time to go.

Close-up on Parker as he nods his head.
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Cut to: (Bird s eye view) Outside of gas station
Everybody runs out of the gas station.
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Cut to: (Nightime) New York City, Inside untouched skyscrapers

Many people in light blue doctor scrubs are working in a room with white tile on the floor and the walls. In the center is a huge object with a blue sheet covering it. There are many control panels all over the room. There are also a couple of metal trays with scalpels and other doctor equipment on them.

The picture goes to a small stairway with a blue door at the top of it. Adriano
walks out of it.

One of the men who look like doctors walks forward and takes his white mask off covering the bottom of his face. His name is Liberatece.

Liberatece
Adriano, we ve been expecting you.

Close-up on Adriano as he smiles.

Adriano
How did it turn out?

Close-up on Liberatece.

Liberatece
I suppose you ll be able to see for yourself. Follow me.

Liberatece begins to walk to the huge object in the middle of the room covered with a blue sheet. Adriano follows him.

Liberatece
However I will say that I think you will be most pleased with it.

One of the other doctors takes the blue sheet off of the object. When it s uncovered a huge glass tank can be seen. It s completely black. Liberatece starts typing things in on a control panel. Adriano stops walking and stands right by him.

A blue light goes on in the tank. There s a man floating in it with tons of tubes hooked up to his arms and back. His flesh looks sick and decayed.

Close-up on Liberatece

Liberatece
I ve brought you here to show you how we did it.

Close-up on Adriano

Close-up on Liberatece

Liberatece
Its really quite simple actually we just crossed the DNA patterns of a human and a vampire. Then afterwards we take a Well preserved dead human and inject his or her blood into these cross breeds.

Adriano smiles.

Adriano
And then you get our New Breeds.

Close-up on Liberatece

Liberatece
And now if youll follow me Ill show you one in action.

They walk over to a glass window. Behind it is a huge white room. They both stare into the room.

A Man wearing blue jeans and a plain white shirt is thrown into the room by two other men.

Man
Let me out! You bastards!

Through another door another man enters. He skin is rotted and greusome. His clothes are torn a bit too. He looks around and then looks at the man.
The man starts backing up. The other man/Zombie runs toward the human man and starts tearing at his clothes and trying to bite him.

Close-up on Adriano and Liberatece.

(Through glass)

Liberatece
Your basic Zombie.

Close-up on glass.

Blood splatters all over the glass as the man is thrown into it.

Close-up on Liberatece

Liberatece
And you ll also notice that within seconds the victim will change into the same thing. Their bite spreads much like ours does. Only the poison goes through their systems much more quickly.

The picture cuts back to the glass as the man gets up, looking around, dumbfounded. His appearance has changed to be much more like the other Zombies.

Close-up on Liberatece

Liberatece
We also have another surprise for you.

Close-up on Adriano

Adriano
Really?

Liberatece walks to another room exactly like the last, Adriano follows. They stare through the glass.

Liberatece
On this one we basically did the same thing as the last, except this time instead of a dead mans blood we used a wolves and several other toxins that I don t really want to bore you with at the moment... So let s bring it out.

Liberatece pushes a red button next to the glass.A door on the left side of the room opens.

A Huge brown animal leaps out from the door. He stands in the middle of the room growling.

Close-up on the Animal

The Animal is huge and muscular. It has the same face as a regular wolf. (Only much bigger)

Close-up on Liberatece

Liberatece
Lets send in the prisoners.

Liberatece presses a green button on the left side of the glass.

Three men are thrown in the room by guards, just like before. These men are wearing clothes consisting of a T-shirt and jeans. The men look up in terror.
They quickly run to the door and start banging on it. They start screaming.
The Animal runs at them and throws the two on the left and the right into the air. There bodies hit the ceiling, The sound of their bones breaking echoes through the room. Afterwards the Animal grabs the other man. He grabs the man by the neck, hits him against the wall. The man struggles to get out of the Animals grasp. The Animal jams the claws from his right hand into the man s stomach. Blood drips down. He releases the man and then goes after the other two.

The Animal picks them up and throws them through the window. Adriano and Liberatece jump out of the way to dodge it.

Close-up on Adriano as he gets up.

Adriano
I thought the glass was bullet proof.

Close-up on Liberatece as he gets up.

Liberatece
It is.

The Animal jumps out of the room and chases after the two men.

Close-up on Adriano

Adriano
Why didnt it go after us?

Close-up on Liberatece

Liberatece
They only feed on humans. We still havent figured out why.

Close-up on Adriano as he smiles

Adriano
You have really outdone your self this time.
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Cut to: Abandoned campgrounds, Somewhere in Arkansas (Nighttime)
Parkers entire group is sitting around a campfire on logs. The van is parked just a couple of feet from the fire. Parker is sitting on a log with Ben to his right. Austin and Jack are sitting on another log. And Gracie, Charlie, and Janey are sitting on a log together.
The words
JULY 15th
come across the bottom of the screen.

Close-up on Parker and Ben. Parker is holding a map.

Parker
Judging from the map we should be to the first base within a day.

Ben
Good.

Parker folds up the map.

Parker
You havent talked much lately.

Ben
What do you expect? Is there something you want me to say?

(long pause)

Parker
Im sorry about Sarah and the kids.

Ben
So am I.

Parker
Theres nothing you could of done.

Ben
I wish I could believe that... I just wish I had another chance.

Close-up on Parker

Parker
You do. You can avenge their deaths.

Close-up on Gracie and Janey

Gracie unscrews the lid to a brown bottle of alcohol as Janey holds her wounded arm up.

Gracie
It will only sting for a second.

Gracie pours a little bit onto the gashes in Janeys arm. Janey flinches. Gracie begins to blow on it softly. After a couple of seconds Gracie stops and cover s the gashes with a bandage.

Gracie
All done.

Charlie walks over.

Charlie
How is it?

Gracie
The swelling has went down some. It ll heal within a week.

Charlie
Good.

Close-up on Gracie

Gracie
Did she have a mom?

Close-up on Charlie as he looks down in grief.

Charlie
Yah, She died as we were getting into the shelter.

Close-up on Gracie

Gracie
Sorry.

Close-up on Gracie and Charlie

Charlie
Ive still got another daughter in California going to college. I dont even know if shes alive.

Gracie
Maybe on the way back well be able to find her.

Charlie
I have a bad feeling that there wont be any coming back.

Close-up on Austin

Austin
So, youve decided to come with us then.

Close-up on Charlie

Charlie
What other choice do I have. Sit in an army base and rot or go with you guys. At least Ill be dieing for a cause.

Close-up on Austin

Austin
What about Janey?

Close-up on Gracie

Gracie
I ll keep her safe. It will be Charlie and I's main focus.

Close-up on Parker as he pulls out a cigarette and sticks into the corner of his mouth.

The picture goes to show Austin get up and start walking over to the van.

Austin
One of these days, thats going to kill you.

Close-up on Parker as he uses a silver lighter to light his cigarette. He smiles.

Parker(Sarcastically)
It probably wont get the chance to.

Austin unbolts the vans door and picks up one of the backpacks. He grabs a handful of candy bars.

Austin
Anybody want one?

Close-up on Jack

Jack
Yeah, I ll take one.

Close-up on Ben as he just raises a hand.
Austin tosses a couple of candy bars out to Jack and Ben.

Close-up on Jack as begins to unravel the candy bars wrapper.

Jack
You want to know something that sucks?
Everybody looks up at Jack.

Jack
Even if we do pull this off. The world will never be the same again. I mean, How can you go back after all this has happened?

Close-up on Parker

Parker
You cant.

Close-up on Gracie

Gracie
You want to know something that worries me?

Close-up on Austin

Austin
Shoot.

Close-up on Gracie

Gracie
We re having trouble just fighting one of these things and theres going to be a hell of a lot more along the way.

Close-up on Parker as he throws his cigarette down and puts it out with his boot.

Parker
One reason is because theyre just as smart as us.

The picture goes to Ben

Ben
The other is our guns. They re not very powerful. All we have is a couple of pistols and shotguns. Were low on ammo too.

Close-up on Parker

Parker
Well have to make a stop in the nearest city first.

The picture goes to Charlie

Charlie
And where exactly is that?

Close-up on Parker

Parker
Springdale.

Close-up on Gracie

Gracie
I hate going into cities.

The picture goes to Charlie

Charlie
Why?

Close-up on Gracie

Gracie
I guess youll see tomorrow.

Close-up on Charlie

Charlie(Sarcastically)
I cant wait.

The picture goes to Austin as he gets up and starts to stretch.

Austin
And speaking of tomorrow I think I ll hit the sack.

The picture goes out to where Jack can also be seen.

Jack
Yah, me too.
-------------------------
-------------------------
-------------------------
-------
Cut to: Abandoned campgrounds, Somewhere in Arkansas (Nighttime)

Parker is laying down on the ground in a blue sleeping bag, looking up into the sky.
The picture cuts to the night sky. There are a couple of stars in the sky. After a couple of seconds the picture cuts back to Parker.

Parker closes his eyes.
The picture moves over to the side of Parker to show everybody else except for Gracie and Janey laying down in a blue sleeping bag, asleep.
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-------------------------
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----------
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-------------------------
-----------
Cut to: Inside of the van(Nighttime)
Janey and Gracie are in the bag of the van covered in blankets. They are also asleep.
-------------------------
-------------------------
-------------------------
----------
Cut back to: Parker sleeping
The picture zooms in on Parkers face.
-------------------------
-------------------------
-------------------------
----------
Cut to: Run down army base (Evening)
The picture cuts to a run down army base with a wall with spots of black all over it standing in the front of a couple of other small houses and buildings. One tower stands erect in the middle. The black spots appear to be blood.

Many men are in the front of the wall in vehicles and tanks, moving out of the picture.
(Quick Flash)
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-------------------------
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---------
Cut to: Another camp ground somewhere (Nighttime)
Austin faces the picture.
Austin
Yeah, I know what you mean.
(Quick Flash)
-------------------------
-------------------------
-------------------------
---------
Cut to: A hill with much dead grass all over it.

A tractor of some kind with guns on it and no top (Metal all over it as well) is driving down a hill with Parker, Austin, and Charlie on it as they fight off many vampires and other creatures. Hundreds of Vampires, Zombies, and Werewolves are fighting them.

(Quick Flash)
-------------------------
-------------------------
-------------------------
---------
-------------------------
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-------------------------
---------------
Cut to: Inside of a building
The picture cuts to Parker facing it. He s in what looks like the same room in the same Skyscraper that Adriano was in. There are a couple of fires in the room. Parkers clothes are torn. He has some cuts on his dirty face.

Parker
Do it! Do it now!

The picture goes to Gracie as she runs in slow motion to something. She dives out of the picture. The picture goes back to Parker. His eyes widen in horror and there s a huge explosion as he s thrown backwards, screaming.
-------------------------
-------------------------
-------------------------
----------------

Cut back to: Parker sleeping (Nighttime)
Parker wakes up very quickly. He looks very startled and shaken.
-------------------------
-------------------------
-------------------------
----------------
Cut to: Abandoned campground somewhere in Nebraska. (Morning)
Parker throws his sleeping bag into the back of the van and then shuts it. Afterwards he begins to latch the bolts on the back of it. Parker rests on it.
Gracie walks up to him.

Gracie
How are you?

Close-up on Parker

Parker
As fine as Ill ever be.

Close-up on Gracie as she clears her bangs out of her eyes with her hand.

Gracie
I heard you last night.

Close-up on Parker

Parker
What did you hear?

Close-up on Gracie

Gracie
You were screaming.

Close-up on Parker as he gets off of the van.

Parker
Bad dreams, Thats all.

Close-up on Gracie
-------------------------
-------------------------
------------------------

Cut to: Springdale, Nebraska, Daytime (Birds eye view)
The van goes through a road running through the city. There is smoke coming from some of the buildings. There s a couple that are still on fire.
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-------------------------
-----------------------
Cut to: Inside of van
Everybody is looking through the barred windows of the van at the city. The picture cuts to Janey pressing her face up against the glass.

Close-up on Gracie

Gracie
A dead city.

Close-up on Charlie

Charlie
So this is what you meant.
-------------------------
-------------------------
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-------------------
Cut to: Dead Springdale
The picture cuts to the outside of the van to show a dead, decaying body. The side walk that she s laying down on is drenched with blood.

The picture cuts to a parking lot with carts in different places. Many bodies lay all over it. There are a couple of wrecked cars also.

The picture cuts to a local swimming pool. There are bodies floating in the blood red water. There are also some on the pavement by the water.

The picture cuts to a house with a lady on top of the roof lying down, dead. A white sign saying
HELP
lays on top of her.
-------------------------
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-------------------
Cut to: Sporting Goods store parking lot (Daytime)
Jack is standing alone by the van with a shotgun in his hand, looking around.
-------------------------
-------------------------
-------------------------
-------------------
Cut to: Inside of sporting goods store
Parker, Charlie, Ben and Gracie are all looking at a busted glass case with guns lying behind it. Janey is standing by Charlie.

The picture goes to Ben as he grabs a couple of old western revolvers out of the case. They have soft wooden brown grips with the rest of it gray. Ben inspects the guns.

The picture goes to Parker as he bends down under the counter. He begins to scan the types of bullets with his index finger. After a little bit he grabs a small box of pistol ammunition.

Close-up on Austin

Austin
I m going to go check out what s in the back.

Close-up on Charlie

Charlie
Yeah, I ll come too.

Charlie bends down to Janey

Charlie
I m going to go away for just a little bit honey, o.k. You stay here with Aunt Gracie.

Janey nods her head and walks over to Gracie and grasps her hand.

Close-up on Ben as he loads the
revolvers with bullets. Theres a faint smile on his face.

Ben
I suppose if theres one good thing thats come out of all of this it s that everythings for free.

Parker glances over his shoulder at Ben. He takes some of the bullets out from the box. Afterwards he slides the clip out of his pistol and starts loading the bullets into it.

Close-up on Gracie as she looks to her left and begins to walk to that direction. Janey is holding her hand and walks over with her.

Gracie walks up to a rack with some gun holsters that are supposed to go around people s shoulders. She lets go of Janey s hand and begins to put one on.
The picture goes back to Parker. He slides the clip back into his pistol.

Close-up on Gracie

Gracie
Here you might want one of these.
She tosses one of the shoulder holsters out of the picture.

Close-up on Parker as he catches the holster.

The picture goes to the doorway leading to the back. Austin walks out with a machine gun in his hands.

Austin(Sarcastically)
Looks like they were going for major customer satisfaction.

The picture goes to Parker

Parker
Is there any more?

Close-up on Austin

Austin
Yeah, theres an entire armory back here.

Close-up on Ben as he looks down on his pistol like its very meak and small. He drops it and begins to walk to the back.

Ben
Screw this.

Parker picks up a couple more pistols from the gun case. These are Gloks. He puts them into his shoulder gun holsters.

The picture cuts to the back of the store.
Ben walks in first as everybody else follows him.

The picture turns around to show a ton of bullets and guns all stacked up in a pile.
Ben picks up two black and silver shotguns and begins inspecting them.

Gracie
Holy sh...

Gracie stops as she sees Janey looking up at her.

Gracie
crap!
-------------------------
-------------------------
-------------------------
--------
Cut back to: Outside of store
Jack is still leaning against the car waiting for them to come out. He looks up into the sky to his right and his jaw drops open.

The picture turns around to show hundreds of vampires clouding the sky. They are all flying towards the picture.
Close-up on vampires

Some of them are snarling as they continue to fly.

The picture goes back to Jack as begins to run towards the store

Jack
Why do I always have to be the driver?
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-------------------------
-------------------------
---------
Cut back to: Inside of store (Back of store)
They all have guns in their hands and they re loading them up. Jack s voice shouts from a short distance...

Jack
Weve got trouble!
They all look up at the picture and begin to run out of the room.
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Cut back to: Outside of store
Everyone comes running out of the store with their guns in hand.
Jack runs around the car and gets into the drivers side.

Parker
What is it?

Close-up on Jack as he points towards the vampires.

Jack
See for yourself.

Close-up on Parker

Gracie
Oh my God.

Everybody quickly jumps into the van. The van begins to drive off, dirt is thrown up into the picture by it s tires.
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Cut to: The three buildings/Vampires lair in New York
The picture zooms in through a window in the middle building. Adriano is just sitting at the metal desk. He takes a drink out of a see through glass. Afterwards he puts it back down on the desk.

Close-up on glass.

The glass is filled with dark red blood.
Adriano lifts his legs up onto the desk and relaxes. He begins to stare up at the ceiling. He takes a remote out of his pocket and points to his left, he then presses a button.
Opera music quickly turns on.
He drops the remote on the floor.

Close-up on Adriano s face as he begins to smile.

Close-up on the door.
The man from before who appears to be Adrianos assistant walks through.

The picture goes back to Adriano as he looks up and frowns.

Theres a very short motion blur as Adriano gets up and runs to the door so fast that you can barely see it.

The picture goes back to the door.
The motion blur stops at the man who just walked through. Adriano is standing there, choking the man with a very angry expression on his face.

Adriano
I told nobody to disturb me right now!

Close-up on The man

Man(Struggling)
I thought you just might...want to know something!

The picture goes back out so both of them can be seen

Adriano
What!?!

Man
We re about to make our last attack on one of the army bases!

Adriano loosens his grip

Adriano
I m sorry...

Adriano takes a couple of steps back

Adriano
What did you want?

Close-up on The Man

Man
We wanted to know if you wanted to test some of our new breeds and zombies out. We ve already sent our vampires out so theyll have to wait for the evening attack.

Close-up on Adriano

Adriano
Yes, They shall prove their worth there.
Adriano begins to walk back to the desk.

Man
O.k.

The man begins to walk out the door.
The picture goes back to Adriano as he stop and looks back over his left shoulder.

Adriano
Oh and don t ever do that again, for any reason.

Close-up on the man as he stops and looks back as well.

Adriano
I ll kill you the next time.

Close-up on the man as he begins to walk off again.

The picture goes back to Adriano as he also begins to walk back.
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Cut to: Run down army base (Noon)
The van comes into view and stops in front of a run down army base.
The army base looks exactly like the one from Parkers dream.

Close-up on Parker as he gets out of the van along with everybody else.
He looks amazed.

The picture goes out to show Jack in front of him. The rest of the group is already going towards the base.

Jack
Are you coming?

Parker breaks out of his trance.

Parker
Oh, Yeah sorry.

They begin to walk to the base.
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-------------------------
-------------------------
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Cut to: Hole in wall
Ten or so men wearing very dirty and ripped up army clothing come out of a huge hole in the wall. They are walking towards Parkers group.
The soldiers and Parker s group meet in between the van and the wall.
The man in front has a couple of pistols and is carrying a shotgun. The man is black. He has a fairly old and worn face. He appears to be in his early forties.

Man
Who are you and whats your business here?

Close-up on Jack

Jack
We can explain it inside the base...

The man cuts him off

Man
Check their teeth.

The soldiers go up to all of the members of their group and begin to try and open their mouths. The entire group takes a gun out and points it at the soldiers. The soldiers do the same.

Man
We could all die here right now or you could let them check your te...

The man looks up into the sky in fear.

Man
Theyve sent there next wave! Everybody into the base!

All of the soldiers begin to run into the base, Parker s group follows

The picture goes to Austin

Austin
Oh, yeah! We were going to tell you about that, but you were to busy checking us for cavities!

The picture turns around and goes into the sky to show all of the vampires headed for the base.
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-------------------
Cut to: Inside of base (Behind first wall)
The soldiers and Parkers group run into the base through the hole in the wall. There s a huge wall of sandbags as high as the first wall. The wall is directly behind the first and the tower stands behind it. There are also two staircases leading up to it. One stands at the end of the wall and the other at the other end of the wall. There are seven huge machine guns placed on top of the wall.

Close-up on the man from before who appears to be the leader as he continues to run toward the picture.

Leader
Get onto the walls and man the guns! Theyve sent their next attack!

Many men run up the wall and get behind the huge machine guns.

The picture goes back to Parkers group.

Close-up on Gracie and Janey as Gracie quickly looks to her right.

She takes Janeys hand and runs her into a corner where the second wall ends and touches the first wall.

Gracie
Stay here Ill keep you safe

Close-up on Janey. She looks terrified.

Gracie
I promise.

Charlie runs over and kneels down to Janey. He sets his shotgun down and hugs her.

Charlie
I love you... I m not going to leave this spot.

Charlie gets back up, grabs his shotgun and slides the gauge back and forth hard. He look s very angry.

Close-up on Austin

Austin
I ve got your backs.

Close-up on Parker as he takes out two of his pistols

Parker
Alright, you and Jack go up on the wall. Ben and I will stay here.

Jack and Austin run off towards the staircase leading up to the second wall.
The picture goes up to the top of the sandbag wall. The man who was the leader of the group before is getting by one of the huge machine guns.
The picture turns around to show the hoard of vampires in the sky. They ve reached the van.

Close-up on the Leader as he aims a silver pistol forward.

Leader
Fire!!!

The men behind the huge machine guns begin to fire into the air at the vampires.
The picture once again turns around to show the vampire s. Black blood is beginning to gush out all over the place as many of the vampires at the front begin to fall out of the air.

The picture follows a couple of vampires as they fall out of the air and hit the top of the van, making a huge dent in it.
The picture goes back up to all of the vampires, They ve now reached the base. All of the vampires are begins to screech shrill sounds.

Close-up on Parker as he s got his back against the wall, left of where the hole is. Many of the vampire s are rushing through the hole. Parker s hair is flying around because of the gust of wind the vampires have created.

The picture goes out to show Ben, Jack and Gracie on the other side of the hole. They are also against the wall. They wind is doing the same to them. The sound of the Vampires screeching is hurting their ears.

Close-up on Parker.

He begins to cover his ears.
The picture goes up to the top of the sandbag wall. Jack and Austin are running backwards with their guns pointed at the vampire hoard. They are firing very rapidly.
The vampires are gaining very rapidly on them.

Close-up on one of the men in the huge machine guns. The vampire sweep past him. Red blood flies all over the place. A couple of the Vampire stop and begin to bite him.

The picture turns back around to Jack and Austin. The vampire s finally get to them. They are quickly thrown into the air. The vampires continue to sweep past so they can get to the next machine gunner.
The picture follows Austin and Jack as they fly into the first wall. When Austin hits it he drops one of his pistols. They both hit the ground hard.

The Vampire hoard has past through the base now.

Close-up on hoard.

Whats left of them is forming up into the air again, getting ready to sweep through the base once more.

The picture goes back down to the ground. Ben, Parker and Gracie run as fast as they can to Jack and Austin.

Close-up on Austin as he slowly gets up. Austin spits cherry red blood out of his mouth and onto the ground.
The picture goes out to show Gracie helping Austin get up. Ben already has Jack up. They all begin to run back to the hole. Jack and Austin are limping a bit.
Close-up on the vampire hoard. They are coming back towards the base again.
Close-up on Charlie. Charlie shoots into the air with his shotgun.
Close-up on Vampire at front of hoard as it drops to the ground.
The picture goes back to Charlie and the rest of the group. They are all firing at the hoard now.
Close-up on Janey. She s is crouched in the corner covering her head.
The picture goes back to Charlie. He is firing rapidly at the vampires.
The picture goes into slow-motion as it follows an empty shell that flings out of Charlie s shotgun. A trail of smoke follows it.
Close-up on Jack.
Jack
We left all of the big stuff in the van!
Close-up on the Vampire hoard as it begins to close in on them.
Parker
We have to go get them!
Jack
Now!
They all quickly turn around and run out of the hole. Charlie grabs Janey s arm and then follows them.
The picture goes to the other side of the wall.
The picture then goes to Charlie and Janey.
Charlie
Run to Gracie, Quick!
Charlie let s go of Janey. They are all now a little over half way to the van.
The picture goes to the sky and shows half of the group of vampires from before flying towards them.
Charlie turns around and is running backwards, shooting at the vampires, rapidly.
The picture goes to Ben, Parker and Austin who have already gotten to the van.
Close-up on Parker as he looks back at all of the vampires.
Parker
Just get in! I have an idea!
Everyone who is there begins to get into the car.
Jack is now at the van. He s holding his side. There is a patch of blood there where his shirt is torn open.
Parker
Give me the keys!
Jack continues to run. He s on the other side of the van now. Jack searches in his pockets quickly, then after finding them throws them to Parker.
Everybody is now at the van.
Charlie is the last one to get inside because he is still shooting.
The vampires are now very close to the van.
The picture goes to the front of the van. The picture shows Parker and the rest of the group through the window. Parker is trying to start the car.
Close-up on key ignition. Parker s hand turns the key as the engine begins to rev up. It continues to make this sound for a few seconds but then stops as the engine turns off.
Close-up on Parker (Through window).
Parker
Come on!
Close-up on key ignition. Parker s hand turns the key again. The engine revs up once more.
The picture goes outside of the van to show the Vampires getting very close. They are lower to the ground now.
Close-up on Parker again (Through window).
Parker
Come on, Come on!
Close-up on key ignition. The revving sound continues for a couple of seconds.
Close-up on Driver s side dashboard. The speedometer and other icons begin to light up as the engine finally starts.
The picture goes back up to Parker (Through window)
Parker
Yes!
The picture goes to the outside of the van. The Vampire are only a couple of yards a way. The van begins to plow through all of them. Blood is beginning to gush out everywhere.
The picture goes back to show parker (Through window). There is black blood and guts all over the window. Parker is cringing in disgust.
The picture once again goes outside of the van. Many of the vampires are dropping. The ones in the back are starting to fly back towards the base. After all of the vampires who didn t fly back to the base are gone the van continues to drive towards the base. It s speed is increasing rapidly.
Close-up on Gracie.
Gracie
Can you drive this thing through the base?
Close-up on Parker.
Parker
We ll find out.
The picture goes to Gracie as she begins to get a machine gun out of the back.
Gracie
Slow down for a bit.
Gracie shoves a clip into the Machine gun. She takes a deep breath, Then opens her door (Left side). She begins to climb on top of the van.
Close-up on Austin.
Austin(Sarcastically)
Crazy.
The picture goes to the outside of the van. Gracie is now on the top. She s holding on to the luggage rack.
The picture returns to the second wall of the base. The leader from before is operating one of the huge machine guns. He s shooting rapidly into the air.
Close-up on what s left of the hoard of vampires. They appear to be trying to make one last stand. They are forming into one big black mass. After a couple of seconds they begin to fly towards the base again.

Close-up on Leader.

Leader
****!

He jumps out from his position at the machine gun and begins to run the opposite way on the wall. He takes a black pistol out and begins shooting at the vampires. The leader turns around as a machine gun sound is heard from behind.
The picture goes down to show Gracie on top of the van, shooting into the air.
The van is driving towards the hole in the wall.
Close-up on the hoard of vampires. They are now at the end of the second wall.
Close-up on Leader. He looks up and then runs down the staircase to his right, continuing to fire. A couple of soldiers follow him they are doing the same.
The picture goes to the top of the tower. There are three soldiers firing at the hoard.

Close-up on one of the soldiers. He turns to his left just as one of the vampires gets there. The man begins screaming as he is lifted up into the air and then dropped.
The picture goes back to the hoard of vampires as they are almost to the hole in the wall.
Close-up on one of the vampires. The vampire looks down, then smiles. he lands on the second wall. Afterwards he turns into what appears to be a human. He is wearing a dirty, white tank top with blue jeans.
The vampire grabs a machine gun from the ground and points it towards the van.
Close-up on Gracie as she continues to shoot the machine gun up into the air.
The picture goes back to the hoard of vampires. Many of them are dropping because of Gracie s machine gun fire. Their black blood is pouring onto the ground as they fall.
The picture goes to the van as it s reached the hole in the wall. Close-up on Gracie as she quickly ducks. Gracie s side door flies off as it hits the side of the hole in the wall. A couple of sparks fly into the air. The picture goes into the backseat of the car as Jack (Sitting in the middle) puts his arms over his head because of the door.
The picture goes back up to the Vampire with the machine gun. He begins to shoot it at the top of the van.
Close-up on Gracie as she looks up into the air. Bullets begin to hammer into the top of the van. Sparks are going everywhere. Gracie puts her arms over her head. Gracie tries to dodge the bullets so she rolls over a bit but slips off of the van. Her machine gun falls off.
Close-up on Luggage rack. Gracie s right hand is trying to hold on to it but after a couple of seconds the luggage rack breaks off and Gracie falls off of the van.
Close-up on Parker (Through window).


That's all for now give me some feedback.

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LoopsMahBibby
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REPLIED Saturday, January 07, 2006 07:55:23 PM Delete post? (Moderator ONLY)
Very Good!!
I really Love the interaction between the characters, I really like them, i fel for them because they seem Real to me.
I also love the description of the action, very well written.
The Writer definately has a "Vision".
(did YOU write this?)

I didnt like the "Down With the Sickness" song in the credits...sorta cheapens it and "cheeses" it out a bit.
Also, the Vampire at the End who picks up the machine gun seemed sorta "forced", kinda lame and less threatening than a Real Monster would be.


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Neo vs. The Matrix
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REPLIED Saturday, January 07, 2006 09:25:11 PM Delete post? (Moderator ONLY)
Thanks you so much for your feed back and yes i did write this it has taken me the entire summer to write i am really greatful for some feedback finally i liked your critisicm at the end about the vampire i will definently incorporate that into the last half, its just getting started actually, what happens in the next half would be so visually stunning if it was really a movie and it would be cool. I really have had a huge vision for this movie. If enough people reply i think ill post a couple more parts of it on here.

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LoopsMahBibby
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REPLIED Saturday, January 07, 2006 09:58:41 PM Delete post? (Moderator ONLY)
I would love to be part of the cast.


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Neo vs. The Matrix
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REPLIED Sunday , January 08, 2006 07:50:44 AM Delete post? (Moderator ONLY)
I kind of based some of the characters off people i know. I would also like to be one of the cast god that would be cool.
I think i'll change some stuff in that action scene in the last half though from what u said, thanks again. Were the action scenes easy enough for u to understand?

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LoopsMahBibby
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REPLIED Sunday , January 08, 2006 09:46:49 PM Delete post? (Moderator ONLY)
easy enough..
i like the scene on top of the Van, very cool.


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