|
BY DANIEL BAIG |
Meet Harry Osborn, a.k.a. The Goblin, Jr.!
For a little over a year now, Ive had the privilege of talking to actors
and filmmakers for CountingDown. And until recently, Ive confined
my wish list of stars Id love to talk to to folks whom its conceivable
I might indeed one day be able to meet. Meryl Streep, for example,
or Tom Green. (Note: Im kidding about one of those two.)
(Additional note: its not Meryl Streep whom Im kidding about.)
But then something happened the other day to make me waste a moment or
two in idle speculation about actors whom Id have loved to meet, but
wont ever get a chance to, owing to the obstacle of their being dead.
W. C. Field. Humphrey Bogart. Charlie Chaplin. Mae West.
Audrey Hepburn. Rin Tin Tin.
What happened the other day was, I met James Dean.
Oh, okay, sure, not really. But I did meet (its not the
most accurate word, of course, to describe the interaction between star
and press corp member at a movie press day, but you understand Im just
using it as a handy term, and am not trying to claim the interviewee in
question would remember me or anything, right?) James Franco, at the Spider-Man
junket, and thats about as close as I or anyone else, at least on this
mortal coil, is ever going to get at this point.
Now, it may perhaps seem unfair for me to discuss Franco as some kind
of reincarnation of James Dean. Unfair because, after all, hes
not somebody else, hes himself, and should be judged and
viewed, etc. for himself and what he does, and not for any spectral associations
with dead legends which he may provoke.
And maybe youre thinking, Yeah, he did star as Dean in last years
cable TV movie James Dean (for which he won, by the way, a Golden
Globe, in addition to getting a Screen Actors Guild Award nomination),
but thats just one part hes played among many. Hes had many roles
before it, and many after it. And I shouldnt confuse the actor
with this one high-profile performance.
The thing is, though I never saw that TV movie. Im not sure,
as a matter of fact, that Id ever seen James Franco before in anything
until I saw Spider-Man. I really didnt know who he was until
then.
But theres a scene in Spider-Man a scene in Harry and Petes
apartment where all of a sudden, instead of thinking about the events
of the movie, I was suddenly overwhelmed by the resemblance which now
manifested itself before me, between this actor and an iconic image of
Dean.
The Spider-Man costumers had dressed Franco in a dark turtleneck
and matching sports coat, and he looked eerily like Dean in a famous photograph
(not a film still). Surely this wasnt an accident? The wardrobe
people couldnt have been unaware of this effect they were creating?
Director Sam Raimi must have seen it? Perhaps the filmmakers were
trying to create subconscious associations in the audiences minds between
Harry Osborn and James Dean, both handsome but doomed guys, destined for
tragedy.
And then, spending some time with Franco in person (you know, just this
little intimate gathering of him and me and some 23 or so other reporters;
see parts one
and two
of this story) . . . Well, Ill just say that by the time James
walked over to our section of the ballroom, I, after having talked to
Avi Arad, Laura Ziskin, and Kirsten Dunst, and after everything else that
had transpired between my seeing the movie and this moment at this table,
had temporarily forgotten about my Oh my god! They have him looking
just like James Dean!-flash in the movie theater. And remember,
I didnt see the biopic, and so didnt have that ready-made association
in my mind. So its not like I was sitting there, waiting
for James to remind me of James Dean, expecting it.
But shortly after he sat down and started talking with us . . .
I found myself having giddy thoughts along the lines of, I wonder if
this is what talking to James Dean would have been like. And this
experience is what later on gave rise to my engaging in the brief mental
reveries I made mention of in my opening paragraph above.
First, there was the physical resemblance.
James (Franco) and James (the long-dead guy) wouldnt, to be sure, be
mistaken for twins. (James F.s skin is a lot smoother-looking than
Deans was. Deans face looked rough and weather-beaten, which helped,
((along with the beginnings of a receding hair line)), make him look a
lot older than Franco, despite the fact that he made his three major movies
when he was less than a year older than Franco is now 24.)
That being said, though, for two people who arent related,
and who are separated in time by close to half a century, the resemblance,
is, as they say, uncanny (just like those X-Men!). Especially considering
both men work(ed) in the same field.
And its not just the faces Im talking about. Theres the hair,
too. And the overall body type placed side by side, the two Jameses
would, in silhouette, probably be well-nigh indistinguishable, with the
same slender, yet muscular, and on-the-short-side (which was perfect for
Spider-Man: Harry wasnt taller than Peter, played by Tobey
Maguire, whos in the same exact height range) physiques.
And then, overlayed above all of this is the way James Franco acted
with us. While not unfriendly in the least, he sat hunched over,
speaking Id almost say mumbling in a low voice, not making eye contact
with us. Indeed, he appeared to think that it was a spot about a
foot away from him, on the surface of the table, with which he was engaging
in conversation. Thats where he directed all his answers, at least.
When he first came over he was asked right away by a friendly reporter,
How are you?
Im fine, he said, in a fascinating way of speaking which manages to
be simultaneously weary, slightly bashful, and subtly self-deprecatingly,
humorously aware of the inherent silliness of being weary and bashful
in these circumstances. (Or perhaps Im just really
reading too much into things, in my attempts to give you more than just
a he-said, she-said summary!) Howre you guys?
Good! his questioner cheerily responded. She continued,
Are you having fun at this big press junket?
Yeah! Great! he replied, in what is most definitely not
the most convincing line-reading hes ever given in his career.
Getting this, though pushing it, his interlocutor kind of (in my opinion)
rubbed salt in the wounds: Youd rather be nowhere else??
So I jumped in, seeking to spare him from having to respond to her with
yet another insincere answer, though in retrospect what I choose to say
to him sounded a tad amateur-hour
At most of the many press days Ive participated in, the stars especially
the men seem to be engaged in some sort of unannounced competition to
see just how casually dressed they can get away with when they show up
to these things, as if perhaps to let everyone know that, though they
may be polite and all, they really dont want to be here and only are
because they have to be (stars are contractually bound to do press days),
or, perhaps, to let everyone know what down-to-earth, normal people they
are. Though there are of course exceptions Wesley
Snipes for Blade 2 showed up looking very
mens fashion magazine , for example, and Jet Li for Kiss of the Dragon
sported slacks and an expensive-looking, form-fitting sweater in typical
Hollywood all black generally jeans and a T-shirt is the standard uniform.
And that T-shirt is very often nothing more than a wrinkled undershirt!
(Even some of the women get in on this look, like Angelina
Jolie)
But James was actually wearing a navy suit (though without a tie, or
an undershirt after he removed the jacket we could see he just had on
a light blue silk dress shirt, now somewhat wrinkled, which he was wearing
partially unbuttoned). He looked like hed just come from a cocktail
party.
To me, this was refreshing. I mean, for both me and
the stars, these functions are work. Theyre not really social gatherings.
So it makes sense to me to come attired for work. I, and the majority
of my fellow journalists, usually tend to come in, say, casual Friday
clothes. I dont really appreciate it when the actors were talking
to seem to have gone out of their way to dress down for the occasion.
Because the message theyre sending is that theyre more important than
we are (of course, they are, but a little pretense would be polite), and
so why should they bother doing anything other than roll out of bed for
us? (And looking just rolled out of bed indeed is a good description
of the typical male stars hair at press junkets. And it doesnt
just stop at the hair. At the press day for American Outlaws,
CountingDown editor Phillip Nakov reported that Scott Caan showed
up in a bathrobe, telling the reporters that he had, yes, just
rolled out of bed.
So I told James, Youre dressed up a lot nicer than the other people
from the movie here today.
Hmm . . . James seemed to thoughtfully reply. I wont tell them.
So then everybody laughed, and I felt a little silly.
But then he added, in a more sincere fashion, Thank you.
A self-professed big comic book fan present said to James, So is
Harry going to eventually be the Hobgoblin?
Actually, Harry became the Green Goblin. The Hobgoblin was they
thought it was, um, Ned, from the
The big fan (and even if his knowledge of the comic books isnt actually
all that big, his, ahem, body shape allows me to accurately refer to him
still as the big fan) interrupted: See, Im going from the
last television series.
Pause.
Oh! I dont know the series. I read the comic books, replied
James. Um . . . , and he paused again, not knowing what else to
say.
The gal from before spoke up. Whos the Hobgoblin??
The Hobgoblin has an orange outfit, and he in the book, in
the comic book, he supposedly stole the Green Goblins plans and, you
know, learned how to make the glider, and just, sew a costume together
and throw bombs James explained for her.
Hes like, a cousin to the Green Goblin? she interjected.
Yeah, hes very hes very similar to the Green Goblin
But hes in orange.
But hes in orange.
But thats not you.
No. Harrys story is, um, he . . . eventually finds out Spiderman
killed his er, who Spiderman is, vows vengeance on him, and takes on
his fathers role as the Goblin, becomes the Green the second Green
Goblin. Um, and it, you know, spins off into this whole, uh, series,
where hes, uh, torn between his friendship with Peter, but his role as
Spiderman and when he killed his father . . . And kind of goes mad
a little bit, like his father.
So, I asked, are you signed for the sequel then?
Uh, well, they havent officially, uh, talked to me about it. . .
Well see. I dont know.
How, he was then asked, did you get this part?
When I was doing
But before he got beyond those four words he was interrupted by Mr. Interrupter
(in the spirit of all these Marvel villains, thats the nickname Ive
come up with for him; you can read about him in part one of this series).
Now, I should point out that this was not the first time in this interview,
which hadnt been underway for all that long, that Mr. Interrupter had
struck against James. Something about the slightly hesitant, soft-spoken
manner James had when he tried to answer our questions seemed to provoke
Mr. I.
Werent you being considered for Spiderman as well?
When I was doing James Dean
This time he got two words further before being interrupted, (I think
this time by somebody else, actually).
Great job!
James, truly humble and smiling, replied in acknowledgement, Thank you.
Then he started to answer again, but!
The gal also then added, Oh god, it was great!
James, looking appropriately grateful but also a tad embarrassed, again
gave a slow, sincere, smiling Thank you, before again starting
to answer.
But!!
Mr. Interrupter then apparently felt the need to announce, from his Dad
position at the end of the long table, to all assembled, Such a heartbreaking
story!
And without even thinking, really, I, at the other Dad
end of the table, loudly said, He might even finish a
sentence, if we let him!
Which was greeted by some amused giggles around the table. Mr.
Interrupter waved his arm in a gesture of acquiescence to me.
James, though, now seemed stuck on pause.
Quickly, a different journalist gave him a prompt: You were
doing James Dean, AND !
James smiled, and continued. Um, maybe it helped a little with
the James Dean angst, but, they left me waiting for six weeks before they
gave me an answer. I went and tested, and . . . every week we thought
were going to get an answer, and we didnt. And then eventually
they went with Tobey, and, um which I think is the right choice, hes
excellent for Peter Parker.
And then a little while later Sam [Raimi, Spider-Mans director]
called me up. And he said, uh, cuz he thought we got along well,
and he asked me if wanted to do Harry. And I thought, you know,
I still would love to work with Sam, and he was compiling a great cast,
and I thought itd be a good experience. Thats how.
|