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BY ANTONY TEOFILO |
Persephone is quite the bombshell enigma. A darkly elegant ice
queen, she glides across the scene with all the poise of a royal
goddess;
yet hovering behind her
placid gaze and deliciously pouting lips is a steel trap that can spring with
deadly force at any moment. Shes a killer queen, equal parts brutal and
regal. Like a venomous, delicate flower, you must look. But definitely dont
touch.
Is she a villain or a confederate? Only she knows, and Persephone
isnt
talking. Persephone does assist Neo, Morpheus, and Trinity at a crucial
part of their journey to save the world. Why does she do it? To give
her reason would be telling you too much; but the answer can be found
at the heart of one of: Reloadeds funniest, sexiest scenes.
Monica Bellucci carries Persophones graceful aire on her person,
but her mellow demeanor suggests no Machiavellian murderers instinct.
Shes just happy to be a part of the world of the Matrix, happy
to have gotten to work with the Wachowski brothers. She has been a fan
of theirs since Bound became a hit for the Wachowskis a few years ago
in Europe. Reloaded returns the brothers to their roots in that, like
Bound, when things get dangerous, they also tend to get extremely sexy.
Monica Belluccis Persephone gives an insanely gorgeous face
to that idea.
Q: Youre playing a brand new character in The Matrix: Reloaded.
Who is Persephone?
A: Persephone, in Greek mythology, is the daughter of Zeus, the king
of the gods, and the goddess of fertility, Demeter. [Persephone] was
kidnapped by Hades, the king of the underworld to be his queen. She was
allowed to come back into the living world for part of the year. This
tells us a lot about Persephone [in The Matrix: Reloaded]. Shes
living between two worlds. Shes just another program from an old
matrix, so shes not human, but she wants to feel human emotions.
Shes like a vampire of emotions. She doesnt feel anything
herself, she can only feel things through others. Theres something
really sad and tragic about her. Shes sensual, shes dangerous,
but shes also desperate.
Q: How many times did you have to kiss Keanu Reeves.
A: Oh, so many. [Laughs] It was a long, long scene. For the Wachowskis
the scene was so important. We had to do the scene maybe twenty times,
maybe fifty times, I dont know. Many, many times. But it wasnt
painful. Keanu is a good kisser. In our work, we have to get so intimate
with people that we dont know. Its such a strange thing
to get so intimate and so deep, and I dont know Keanu very well,
even though Ive known him a long time. Nine years ago when he
did Dracula, I was just a model at the time, and I had a little tiny
moment in the film, and it was a kiss with Keanu. So every nine years,
I kiss him. [Laughs]
Q: What makes a good screen kiss?
A: What makes a good kiss is when an actor can give something. In this
case, I couldnt do anything. Persephone is so cynical. All my
reactions come from his way of kissing me. He did very well.
Q: Do you think audiences in Europe will respond positively to the fast
pace this movie?
A: I dont want to think that in Europe, we only do intellectual
movies, and in America we only do popcorn movies. I dont think
[thats] true at all. In America, there are so many beautiful,
deep movies. You can see The Matrix, and Magnolia, and American Movie,
and Far From Heaven. These are incredible stories.
What I like about America is the energy. There is so much going on here.
Things dont have time to get old, because everything is so fast.
Americans dont walk, they run everywhere. For this reason, after
awhile, I cant stand it. I need to go home, I need to relax in
the calm and quiet of Europe. But I love it here. Its so amazing.
Q: In this movie, how much of your character is your costume?
A: A lot. Kym Barrett did such an amazing job with my costume. [Persephone]
is very much in my dress, and my high heels. Its because of the
way she walks and the way she moves: so feminine, so elegant, so sensual.
Q: How do you think French audiences will like your husband in the movie,
The Merovingian?
A: Its so funny Lambert [Wilson] speaks English so well, unlike
me. I have a very strong accent. He speaks so beautifully. And then in
the film, he has to speak with a heavy French accentbecause the
brothers told him to. Hes so funny, and hes such a good
actor.
Q: You talk about the old Matrix programs having created myths like
vampires and werewolves and things in previous versions of the Matrix.
Your character kills with a silver bullet in one scene. Does that mean
that the character you kill is a werewolf?
A: Yes. But it also means that Persephone just knows how to kill another
program from an older Matrix.
Q: What is the origin of the name Merovingian?
A: The name comes from an old aristocratic family, and a man who destroys
families. The real evil his him, not me. He kidnapped me. [Laughs]
Q: Tell me about working with the Wachowskis
A: They Wachowskis to me are so mysterious, so European. What I like
about those guys is that they are completely in control. In Europe, directors
have complete control of the movie. In America, sometimes its
different. In America, sometimes the producer has a lot of power, and
sometimes also the actors. The lead actor in an American film has so
much power. Sometimes he can say, Put the camera here, instead
of there. This doesnt exist in Europe. I think if an actor
can direct, why doesnt he do his own movie? The Wachowski brothers
are completely in control. If they dont like something, they reshoot.
I love to work with people who are in control of their movies, who are
precise, and they know what they want. Its great to work like
that.
Q: Are they different personalities, or are they very similar?
A: They are complementary. They talk about the same scenes, and sometimes
they come to you, and say things that are completely opposite, and then
[the actor] has to [find the common ground]. Even though they respect
the script, you are completely free as an actress. I gave to them my
interpretation of Persephone. You start from that part, and you work
together, and you find the best way to give life to your character. I
had a lot of freedom in the interpretation of Persephone.
Q: Did you ever discuss the ideas behind the movie with the brothers?
A: I would love to speak to the Wachowski brothers. I would love to
know where this film comes from. I would really love to know which kind
of books they read, which kinds of herbs they drank. [Laughs]
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